Fragrance is invisible, yet we describe it with our hands: soft, grainy, smooth, warm. The vocabulary of scent borrows almost entirely from touch.
Travertine still warm from the sun. Linen that has been washed a hundred times. The dry, mineral air before rain. These are the materials we return to when we compose — not as notes to copy, but as feelings to translate.
A feeling for material
The warmth of wood. The softness of a petal. The grain of stone. We look to the tangible to give shape to the invisible.
